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The last thirty seconds feature drawn out chords, and the tempo slows dramatically, ending with frustrated trills in both registers, signaling the demise of the villain. Possibly sneaking, possibly comedic dialog, possibly comedic dialog while sneaking The second minute features flighty finger-work, as if an energetic bee is flying up and down the scales. The classic ragtime ditty of Scott Joplin, perfect for a silent film of whimsy and humor. Kevin MacLeod Villainous Treachery. Composed by Erik Satie. Ascending and descending chromatic scales gives this piece an air of mischief; perfectly suited for a cartoon.

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Tuba and trumpets with a sting at the end.

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With elements of a quick Russian polka playing in the immigrant section of industrial-era New York City, this piece is mainly in a minor key, but at the halfway point changes to a major key, reversing the feel and tone for a few seconds, before reverting to the darkness of the minor key.

Composed by Erik Satie. The classic ragtime ditty of Scott Joplin, perfect for a silent film of whimsy and humor. If naming tracks is so easy, you try it!

Kevin MacLeod Royal Banana. The best instrument ever invented! Kevin MacLeod Hand Trolley. At the one-minute mark the high-pitched notes drop several octaves to play a crunched staccato before returning to the previous theme.

Ascending and descending chromatic scales gives this piece an air of mischief; perfectly suited for a cartoon. Kevin MacLeod Sutmmfilmmusik Go. Kevin MacLeod Comic Hero. It has moments of tenuous fluidity, rapid motion, and a touch of suspense, making it perfect for the classic scene where the hero is sneaking past the sleeping giant.

Tuba carries the character of the piece.

The piece begins with a short intro, then plays the bouncy rhythm of with kotsenlos bright plodding beat. The melody for this piece is in the bass keys, while the high notes play a headache-splitting constant rhythm. Kevin MacLeod Aunt Tagonist. Kevin MacLeod Friendly Day. Kevin MacLeod Dark Hallway clean.

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Super jaunty quick tune with 3 distinct parts. This is a fast banjo piece perfect for humorous content. The last thirty seconds is a refrain of the introduction, and the piece ends with an invigorating flourish. The last thirty seconds feature drawn out chords, and the tempo slows dramatically, ending with frustrated trills in both registers, signaling the demise of the villain.

Alexander Nakarada Banjos, Unite! Kevin MacLeod Wagon Wheel. The main theme starts in the beginning, Super syncopated theme starts at about a minute in, and the industrial comedy theme starts at 1: Most famously used in the film "Hugo".

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Slower at 90BPM but it still moves along. Lively yet quiet barroom-style ditty. Kevin MacLeod Gymnopedie No. This piece is dramatic and very dynamic; in the stumfilmmusik and towards the end the music is soft and tender, but it is punctuated by aggressive changes in volume and minor chords throughout.

Possibly sneaking, possibly comedic dialog, possibly comedic dialog while sneaking At the end of the third minute, the pace quickens, and leads into a darker refrain, but the jolly melody returns for the finale.

Clean version of this piece. The second minute features flighty finger-work, stummfilmmusi, if an energetic bee is flying up and down the scales.

Kevin MacLeod Villainous Treachery.